There are many similarities between music and the concert and they complement each other. Unfortunately, the true value of both statements is often overlooked. Music is usually mixed with automatic, machine-like instruments to be considered “acceptable music” because they are “specific”. A similar directive applies to the action. Every now and then, many artists stand out not for the flexibility to take on a job, but for various reasons such as appearance, perfection in media, etc.

A valid publishing authority requires specialist knowledge. However, this is not an isolated point of view. Without confidence or feeling in either play or music, the play will not come to life and there will be no real match, which is the main part of the craft.

Music has elements (power variations) and subtlety (authentic variations). You have to do this by hanging on to the elementary and subtlety of a piece and engaging with the score. However, doing so is not really the same as communicating a feeling or an emotion.

The mystery is to enter the author's universe and wait for his point of view when the person in question created or wrote this part for the first time. In the theater, it happens like this: an artist, having learned his role, decides how to represent his person. He covers the job and becomes that person. His looks, his way of speaking, his speed, his movements and his postures are all made totally hard. He empties his soul in the person in order to give life to the pleasure-seeker and therefore accelerates him. He has to accept that person's point of view and become one.

A similar directive applies to music. First of all, we must describe the part described in a previous article. Then you have to fall into the writer's point of view for that particular part. What does this part really say? What emotions does it contain? Does it include love, loathing, need, unhappiness, happiness, and more? By generalizing these feelings someone is playing by giving away those feelings and at the same time having a thrilling impact on the crowd and these days craftsmanship really happens.

In addition, each piece varies according to its individual orientation. Surprisingly, some of the actors are somewhat homogeneous. My point is that any level of talent has to learn to express emotions to some extent. Also, artists should think about music a bit. These two elements will help to expand the scope of understanding of its uniqueness. The rewards of spending time and training like a true expert are certainly justified.

Music is an essential resource for self-transformation. People focus on the music and instinctively want to clap, clap, or dance. Music has the potential to create such energy. It takes advantage of the feelings, abilities and expressions of cover. It is a cure. It works on its attractive pricing. It is an alternative energy through and through. Demonstrating its inclination is a fundamental angle.