Ann Demeulemeester Doesn’t Miss Fashion at All. She Has Other Plans. - 2 minutes read
Ann Demeulemeester Doesn’t Miss Fashion at All. She Has Other Plans.
KESSEL, Belgium — Six years ago, when Ann Demeulemeester walked away from the fashion label she founded in 1985 — a house known for an ethereal, monochromatic aesthetic embodied by nymph-like models with penetrating stares and dark brows — speculation ensued.
What would she do next? Could the label, which she had so carefully cultivated to be the visual incarnation of a Patti Smith lyric, really go on without her?
It is not unusual for designers to step away from fashion — some burn too bright, crashing out broke or exhausted — but Ms. Demeulemeester’s case was unusual. She left something that was still succeeding — handing creative control to Sébastien Meunier — seemingly for no pressing reason other than urge.
It turns out, though, that she was not done with designing. She was simply looking for a new language. “I wanted to leave myself time to try another kind of life,” she said. “I wanted to be vulnerable again. To be starting out, finding something difficult.”
Source: The New York Times
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Keywords:
Ann Demeulemeester • Kessel, Belgium • Ann Demeulemeester • Fashion design • Monochrome • Aesthetics • Nymph • Patti Smith • Sébastien Meunier •
KESSEL, Belgium — Six years ago, when Ann Demeulemeester walked away from the fashion label she founded in 1985 — a house known for an ethereal, monochromatic aesthetic embodied by nymph-like models with penetrating stares and dark brows — speculation ensued.
What would she do next? Could the label, which she had so carefully cultivated to be the visual incarnation of a Patti Smith lyric, really go on without her?
It is not unusual for designers to step away from fashion — some burn too bright, crashing out broke or exhausted — but Ms. Demeulemeester’s case was unusual. She left something that was still succeeding — handing creative control to Sébastien Meunier — seemingly for no pressing reason other than urge.
It turns out, though, that she was not done with designing. She was simply looking for a new language. “I wanted to leave myself time to try another kind of life,” she said. “I wanted to be vulnerable again. To be starting out, finding something difficult.”
Source: The New York Times
Powered by NewsAPI.org
Keywords:
Ann Demeulemeester • Kessel, Belgium • Ann Demeulemeester • Fashion design • Monochrome • Aesthetics • Nymph • Patti Smith • Sébastien Meunier •